葉卓棠 Moon Yip

生於香港，跨媒體藝術創作人。創作範圍包括: 舞台美學設計、影像美術指導、視覺設計、遊戲概念 美術及音樂創作等。葉氏畢業於香港演藝學院主修舞台佈景及服裝設計，榮獲 (一級榮譽) 藝術學士 學位。

2011 年憑「法國五月」藝術節節目《無際空境》的舞台設計入選「布拉格劇場設計四年展 2011」。 2012- 2013 年間，舞台及服裝設計作品隨鄧樹榮戲劇工作室《打轉教室》於「愛丁堡藝穗節 2012」 演出，其後於國內城市巡演逾九十四場。2014 年於千百億網絡科技有限公司任創意總監，統籌及創 作多部線上遊戲的概念美術製作。2017 年憑黃子華舞台劇《前度》及風車草劇團《忙與盲的奮鬥時 代》的舞台設計入選「世界劇場設計展 2017」。

2016- 2019 年間，音樂作品隨《人間.獨.白 II》被邀到世界各地演出，包括「德國杜塞爾多夫國 際舞蹈博覽會 2016 」、「韓國釜山國際舞蹈博覽會 2018」及「布拉格劇場設計四年展 2019」等。

舞台美學設計近作包括: CHLOEOGRAPHY PROJECT《遙遙之城》(2018) 及《人圖》網上版 (2020)、香港舞蹈團及演戲家族《一水南天》(2020)、達摩工作室《聖荷⻄謀殺案》(2020)、進劇場 《時光》(2021)、演戲家族《路比和嫲嫲的鐵路5號》(2021) 及香港話劇團《兩相刃交》(2022) 等。

現於香港演藝學院舞台及製作藝術學院碩士課程任客席導師。

Born in Hong Kong, Yip is an interdisciplinary artist who simultaneously engages in various specialties, including performance design, media art direction, visual design, game concept art, and music composition. He graduated from the Hong Kong Academy for Performing Arts (HKAPA) with a Bachelor of Fine Arts Degree (First Class Honours), majoring in Theatre Set and Costume Design.

In 2011, his stage design work at Le French May Arts Festival 2010 La Demande d’emploi, was selected to exhibit at the 12th Prague Quadrennial (2011). 2012-2013, the set and costume design work collaborated on Detention by Tang Shu-wing Theatre Studio were presented during Edinburgh Festival Fringe 2012 and the China tour for over 94 performances. 2014, he was invited to join Billiongame Company Limited as Creative Director, to direct concept artwork production for a series of mobile games. In 2017, his stage designs for Skylight by Gold Blue Limited and Lazy People are Always Busy by Windmill Grass Theatre were selected as finalists in the professional section of World Stage Design 2017.

2016-2019, his music composition work collaborated on Heaven Behind the Door II by CHLOEOGRAPHY PROJECT was invited to perform at the Internationale Tanzmesse nrw 2016 (Germany), the 9th Busan International Dance Market 2018 (South Korea) and the 14th Prague Quadrennial- PQ Studio Festival (2019) (The Czech Republic).

The latest scenographic works in Hong Kong include Maybe Tomorrow (2018) and Our Atlas (2020) by CHLOEOGRAPHY PROJECT, A Tale of the Southern Sky (2020) by Hong Kong Dance Company and Actors’ Family, Murder in San José (2020) by Dharma Workshop Limited, Old Times (2021) by Theatre du pif, Cinematic Memories on Train No. 5 (2021) by Actors’ Family and Confrontations (2022) by Hong Kong Repertory Theatre, etc.

Moon is currently a part-time teacher for the Master of Fine Arts programme in Theatre and Entertainment Arts at HKAPA.

Website: www.moonyip.com