林宛珊 Sandy Lam
燈光設計 Lighting Designer
  • 新晉劇場燈光設計師,畢業於香港演藝學院學士(榮譽) 學位, 設計領域包括戲劇、舞蹈及音樂會

  • 深信劇場是一個整體,創作以「Less is More」為原則

  • 近期主要設計作品包括窮人誌《真實的謊言》(首演及重演)、中英劇團以及香港演藝學院合辦《備忘錄》、影話劇《在療養院的730天》、演戲家族《朝暮有情人(全國巡演)》、榞劇場《人造動物園》、天邊外劇團《李逵的藍與黑(東北村落版)》以及城市當代舞蹈團CCDC舞蹈中心《舞青DNA 2017》

  • 憑在校燈光設計作品《鄭和的後代》入選2017世界舞台設計展覽(WSD2017)

  • 現為自由身燈光設計師、舞台工作者

  • Up-and-coming theatre lighting designer graduated from The Hong Kong Academy for Performing Arts where she was awarded a Bachelor of Fine Arts (Honours) Degree in Theatre and Entertainment Arts

  • Believed in the organic whole of a theatre and adapted the principle of “Less is More”

  • Her recent works as lighting designer include Poor Guy Diary Theatre’s “True Lies and True Lies” and its rerun, “The Memorandum” co-presented by Chung Ying Theatre Company and The Hong Kong Academy for Performing Arts, “Alice in the Sanitarium” by Cinematic Theatre, Actors' Family’s “Lily in the Valley”,  “Radix Series Bornzoo” by Radix Troupe, “The Black and Blue of a Man (North-East Village Edition)” by Theatre Horizon and “Aerial Production” by City Contemporary Dance Company

  • Her ligntenning design work “Descendants of the Eunuch Admiral” was selected to display in World Stage Design Exhibition 2017 (WSD2017)

  • Currently a freelance a theatre lighting designer and theatre technician

設計概念

<李逵的藍與黑> (東北村落版)

 

透過不同燈光的質感強調出每個場景的個性,讓一條平凡的小村落搖身一變成為梁山及青樓。

Design Concept

"The Black and Blue of a Man" (North-East Village Edition)

Enhancing the characteristic of the space-site that goes with the scenes of story, the piece seeks to turn a village to the mountain Liang-shan and a whorehouse through the different texture and setting of lighting adapted.