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「嚐味,空間」

Taste & Space

2022 年首屆科藝藝術節以「模稜與並置」(Ambiguity & Juxtaposition) 為主題,探索藝術創作中的「多重想像」,鼓勵將看似無關的元素並置,激發創意。2024年第二屆科藝藝術節以「嚐味與空間」為主題,邀請觀眾走進感官世界。舞台藝術從構思與主題開始,融合各種舞台技術,展現多面性。2024年科藝藝術節將探索「科藝自主創作演出」 (Technical-arts-initiated Performances) 的新感官形式。香港舞台技術及設計人員協會(HKATTS) 將於2024年9月21日至29日舉辦香港「科藝藝術節 2024」(TAF2024),展示本地科藝自主創作。

 

在戲劇中,「嚐味」是一個非常有趣的概念,它源自古希臘劇場的歷史,起源於酒神戴奧尼索斯。這個概念將味覺與感官體驗結合在一起,演變成各種形式的表演、空間和形態。今屆科藝藝術節將以「Taste」的多重意義為主題,致力於建立科藝與觀眾之間的感官聯繫,從而引領觀眾進入無形的感官體驗和創造之中。

 

「Taste」一詞包含多重意義,可指「味道」、「味覺」、「喜好」、「審美力」、「品味」,也可解作「經歷」、「領略」、「短暫的體驗」等。科藝藝術節將以不同面向的「Taste」建立科藝與觀眾的感官聯繫。

 

在彼得布魯克的名著「空的空間」中,他提出了劇場空間的四種形態:「僵化劇場」(The Deadly Theatre)、「神聖劇場」(The Holy Theatre)、「粗俗劇場」(The Rough Theatre) 和「當下劇場」(The Immediate Theatre)。這四種形態並非獨立存在,而是相互交織,具有廣闊的探索空間。

 

今屆科藝藝術節將深入探討這四種劇場形態與「科藝自主創作演出」之間錯綜複雜的因果關係,重新啟動科藝劇場創作的革新可能性。

 

The 1st Technical Arts Festival in 2022 took "Ambiguity & Juxtaposition" as its theme, exploring "multiple imaginations" in art creation and encourages the juxtaposition of seemingly unrelated elements to stimulate creativity. The 2nd Technical Arts Festival in 2024 focuses on "Taste & Space," inviting the audience to step into a sensory world. Technical arts begin with conception and themes, integrating various stage technologies to showcase diversity. The Technical Arts Festival in 2024 will explore new sensory forms of "Technical-arts-initiated Performances." The Hong Kong Association of Theatre Technicians & Scenographers (HKATTS) will host the Hong Kong "Technical Arts Festival 2024” (TAF2024) from September 21 to 29, 2024, showcasing local technical arts self-initiated creations.

 

In theater, "Taste" is a very interesting concept that originates from the history of ancient Greek theater, starting with the wine god Dionysus. This concept combines taste and sensory experiences, evolving into various forms of space and performance. This year's Technical Arts Festival will focus on the layered meanings of "Taste", aiming to establish sensory connections between technical arts and the audience, leading audience into intangible sensory experiences and creations.

 

The term "Taste" encompasses multiple meanings, referring to "flavor," "taste," "preference," "aesthetic sense," "taste," as well as "experience," "appreciation," "brief experience," and more. The Technical Arts Festival will establish sensory connections between technical arts and the audience through different aspects of "Taste".

 

In Peter Brook's renowned work "The Empty Space," he presents four forms of theater space: "The Deadly Theatre," "The Holy Theatre," "The Rough Theatre," and "The Immediate Theatre." These four forms are not independent yet collectively intertwined, offering vast exploration space.

 

This year's Technical Arts Festival will delve into the complex causal relationships between these four forms of theater space and "Technical-arts-initiated Performances," rekindling the innovative possibilities of technical arts theater creation.

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