陳詩歷 Paul Chan     
道具設計 Props Designer

  • 2000年香港演藝學院應用美術道具系一級榮譽學位畢業

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  • 於2000年為香港聖公會婦女總團製作《千禧年百利恆聖景》，並展覽於百利恆

  • 2001年為青藝節《綠魔先生》製作食人花

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  • 2003年製作十米高的巨型提線木偶，破世界記錄

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  • 2008年至今為《渣打藝趣嘉年華》擔任大木偶製作導師及製作大偶

  • 2012年以作品”蜘蛛的盛宴”獲World of Wearable Art藝裳奇幻世界2012(WOW)兒童系列優勝

  • 現為自由身道具及木偶製作人

​設計概念

 

「是次執頭偶」是為一個街show所製作，希望做到輕便又靈活，我想這個偶在執頭偶中算是非常輕巧，但又不算太飄，亦不影響操作。

參展感想
 

是次展覽的空間就好像一班居民活在籠屋之中，縱然時間空間有其限制，但真正的創作總不受物質限制，大家總會透過創意找到一些出路。

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3. 陳詩歷 Chan See Lik Paul.jpeg

  • Graduated with first class honours from The Hong Kong Academy for Performing Arts majoring in Applied Arts-Property Arts

  • Created puppets for Nativity Scene in Bethlehem in 2000 with an exhibition followed in Bethlehem

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  • Creator of “Giant Cannibal Flower” in a programme of the Hong Kong Youth Arts Festival Mr. Mushnik in 2001

  • World record keeper of a giant marionette of 10 metres in height in 2003

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  • Creator of giant and inflatable props for Standard Chartered Arts in the Park since 2008

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  • His garment “Spider Feast” was the winner in the Brancott Estate World of Wearable Art Awards Show and was selected to appear in the 2012 Children's Section

  • Currently a freelance props and puppet maker

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Design Concept

 

The work showcased is a “light-weight” Rod puppet designed for a street performance. The puppet was built to be handy and flexible while keeping at its firmness for easy manipulation.  

Reflection

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The exhibition was a collage of work shown in the idea of a cage house. Despite the apparent constraint on time and space, the work showcased is never restrained as long as we think out of the box.

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